<\/span><\/h2>\nThe narrative reportedly presents Off the Wall<\/em> as Michael Jackson’s first major solo album. The album was indeed a major stage in the development of his artistic identity, but it was not his first solo record: four albums had come before it. Off the Wall<\/em> would instead mark the emergence of a more fully developed style, closer to the one with which his name remains associated.<\/p>\nWhat followed became a major part of the popular story surrounding the artist. Disappointed at winning only one Grammy for Off the Wall<\/em>, Michael Jackson reportedly decided to create an album on an unprecedented scale. Three years later, Thriller<\/em> was released and is presented as the best-selling album in history to date.<\/p>\nThe biopic would also recreate the moonwalk moment during a performance organized for Motown’s 25th anniversary. Although the move existed before Michael Jackson, that appearance permanently tied it to his name. The contrast between the performance’s public impact and the artist’s personal dissatisfaction is telling: after the now-iconic appearance, he reportedly cried backstage, believing he had not been good enough.<\/p>\n
Tensions with his brothers would likewise be minimized. The artistic separation did not suddenly emerge at the end of their shared career: conflicts had already existed for some time. Jermaine Jackson, who remained with the group’s former record label, even released a song that was highly critical of Michael.<\/p>\n
<\/span>MTV, Pepsi and the narrative’s blind spots<\/span><\/h2>\nAmong the major moments in Michael Jackson’s career was MTV’s initial refusal to air the Billie Jean<\/em> music video. The network cited its editorial policy, at a time when it was highly reluctant to program Black artists.<\/p>\nThe situation reportedly changed when CBS, Michael Jackson’s record label, threatened to pull other artists from its catalogue, including Bruce Springsteen, the Rolling Stones and Billy Joel. The video’s broadcast then set an important precedent for the programming of other Black artists such as Prince and Lionel Richie.<\/p>\n
In the film, this confrontation would reportedly be reduced to a brief phone call. Such compression loses the episode’s historical significance, which goes far beyond a promotional anecdote.<\/p>\n
Another event treated without all of its consequences is the accident that occurred while filming a Pepsi commercial, during which Michael Jackson burned his scalp. This episode is presented as a possible starting point for his addiction to painkillers and opioids, a dependency that reportedly stayed with him for the rest of his life.<\/p>\n
The media environment of that period would also receive little development. Michael Jackson faced strong hostility in some media outlets, which sometimes referred to him by a derogatory nickname. The visible changes in his skin also fueled numerous controversies. Yet these elements help explain the public pressure surrounding each of his appearances.<\/p>\n
<\/span>Allegations involving children, a central subject left out<\/span><\/h2>\nThe most striking omission concerns Michael Jackson’s relationships with children. The singer himself spoke about sharing his bed with children, a practice that prompted serious concern and extensive criticism.<\/p>\n
The matter took on a legal dimension when, in 1993, the family of Jordan Chandler, then 13 years old, accused Michael Jackson of abuse. An investigation was opened, after which the case ended in a financial settlement without a trial. This episode continues to fuel deeply opposed views: some defend Michael Jackson’s innocence, while others consider the allegations decisive.<\/p>\n
The biopic would make no reference to it. Yet the project reportedly initially planned to address the case, or even begin with it. A contractual obstacle then reportedly emerged: the agreement reached in the settlement is said to have included a clause preventing both parties from discussing the case in any media, which would include a film. This constraint would explain returns to production and the feature film’s delay.<\/p>\n
This silence does not resolve the debate. It sidesteps it. A biographical narrative about Michael Jackson that does not address this subject necessarily leaves out a major part of how his story is perceived.<\/p>\n
<\/span>A film connected to the value of the music catalogue<\/span><\/h2>\nThe highly positive portrayal of John Branca also raises questions. Responsible for managing Michael Jackson’s assets and the revenue generated after his death, he is portrayed favorably in the film. His relationship with the artist was reportedly unstable, however, with Michael Jackson dismissing and rehiring him several times.<\/p>\n
Members of the Jackson family also accuse him of making decisions that serve his own interests at the expense of the family and the artist’s legacy. His role among the film’s producers provides context for this particularly favorable treatment.<\/p>\n
The economic stakes are equally significant. In 2024, Sony acquired the rights to Michael Jackson’s catalogue for $600 million, according to available information. A biopic can then help bring an artist’s work back into the spotlight, particularly among younger audiences.<\/p>\n
The mechanism is well known: after the release of Bohemian Rhapsody<\/em>, Queen’s Spotify streams reportedly rose by 160%. For Elvis, the reported increase exceeded 300%. In Michael Jackson’s case, Thriller<\/em> reportedly returned to the ten most-streamed albums on platforms when the film was released.<\/p>\n<\/span>A work of celebration rather than a complete portrait<\/span><\/h2>\nThe biopic therefore appears to embrace a celebratory approach. It highlights Michael Jackson’s talent, performances, achievements and considerable influence on many artists and popular movements, from pop to K-pop. Jafar Jackson, his nephew, is notably praised for his ability to reproduce his voice, way of speaking and dancing.<\/p>\n
But the effectiveness of a performance is not enough to create an exhaustive portrait. Softening family violence, addiction, conflicts, media pressure, allegations and estate-related issues produces a smoother story than the reality described by those involved and the controversies surrounding it.<\/p>\n
A second film, dedicated to the later part of Michael Jackson’s life, has been announced. That period contains even more controversies and allegations. It remains to be seen whether the narrative will choose to put them in context or continue with the same approach, focused above all on musical legacy and its commercial value.<\/p>\n
<\/span>FAQ About the Michael Jackson Biopic<\/span><\/h2>\n<\/span>Why does the film not discuss the Jordan Chandler case?<\/span><\/h3>\nThe settlement reached in the case reportedly included a clause barring the parties from discussing it in media, which would have prevented it from being addressed in the film.<\/p>\n
<\/span>What is the connection between the biopic and Michael Jackson’s catalogue?<\/span><\/h3>\nSony acquired the rights to Michael Jackson’s music catalogue in 2024 for $600 million, according to available information. A biopic can renew public interest in his songs and albums.<\/p>\n
<\/span>Does the film address Michael Jackson’s personal struggles?<\/span><\/h3>\nSome events are mentioned, such as the accident during the filming of a Pepsi commercial, but their consequences, particularly his addiction to painkillers, would reportedly receive little development.<\/p>\n","protected":false},"excerpt":{"rendered":"
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